Marcus Kaye's (aka Marcus Intalex) Soul:r record label has since its inception in 2001 been unleashing classic after classic onto the world of drum and bass. Following on from his classic releases as Da Intalex in the mid 90's with Soul:r and its sister label Revolve:r he in my eyes captured the soul of those early years and updated it to the 170bpm of the current drum and bass scene.
Drum and bass was my first love and it was a sad day that in the late 90's i stopped buying it as i couldn't find anything i really liked anymore. Its was either jump up rubbish or dark 2 step styles which did nothing for me. I thank it now as it allowed me to concentrate on other styles of music and broaden my horizons but at the time i was pissed off. But around 2004 after being played some of the new drum and bass records my friend was currently buying i started to get back into the scene. Labels like Bassbin and Exit Recordings were sidestepping all the cheese and faux darkness and releasing classic beats with soulful music. Id bought a couple of the early Soul:r releases at the time when i saw them cheap on my travels but hadn't been buying new releases. When i started back up it was a joy to go into a record shop and snap up such releases as Marcus Intalex - Zumbar / Temperance, Calibre - Hypnotise / The Water Carrier and D.Bridge - Without Answers / Love's Ugly Child. It made me feel like it was 1995 again and id got my pocket money and was headed to Primal Vinyl in Canterbury (upstairs of Third Eye) to buy the newest Metalheadz release. I was buying regularly from shops and the Internet and each week there was something new that demanded that it be in my collection. It also got me back into mixing after a few years of being slack and i knocked about a good dozen mixes of all my new records as soon as i had enough for a new set.
St. Cal is the collaboration between Lee Davenport (ST Files) and Dominick Martin (Calibre) and has to date produced 2 12" singles and double 12" pack and 2 appearances on Calibres Signature Records label via an E.P and an LP. The track i want you to hear - Losing Ground was the second of the 12" singles and is a classic double A side. The B side Henshaw Dub is a nice dubby roller of a tune but the A side is my pick.
The beats starts softly in the mix before the main riff makes an early appearance and the male vocal begins its mantra throughout the track. The bassline mirrors the main riff before everything drops out leaving just the riff and vocals before the groove starts again. Its a real 4 am kind of tune very deep and the epitome of what is termed liquid drum and bass.
