Davina - Dont' You Want It

One of my favourite vocal house records of all time and the vocals don't start until halfway through the track. But the wait is worth it as Davina Bussey sweeps in from behind some piano work with a voice that oozes sexual desire. When she sings "Don't You Want It, Don't You Want It, Don't You Want It" i think any man or woman on the planet would be hard pushed to say no.

Behind the vocals Mad Mike from Underground Resistance builds the backing track up gradually hi-hat by hi-hat using 2 great riffs before easing the piano and strings in to proceedings which lead up to the midway point when Davina can take over. Veering between breathless whispering and the more insistent nature of asking if we want her love she masterfully manages not to overpower the music and become too diva like.

Released in 1992 on Underground Resistance sub label Happy Records i first heard this in 1996/7 when my friend managed to track down a copy of the reissue on Soul City which he had bought after hearing Laurent Garniers classic Mixmag DJ mix from 1994. The reissue now goes for £20.00+ in mint condition and the original £25.00+ but luckily is was repressed in 2002 and even bootlegged in 2007 so it is not hard to track down these days.

Davina - Don't You Want It

Drexciya - Aqua Worm Hole

cult   [kuhlt]

–noun .

2. an instance of great veneration of a person, ideal, or thing, esp. as manifested by a body of admirers.

Today i'm here to expose you to two things that are considered cult in the world of electronic music:

1) Drexciya - The artist

2) Underground Resistance - The label

Conceived in 1989 but not having a release on vinyl until 1992, Drexciya are revered as one of Detroit techno and electro's shining lights. I was going to say were but changed my mind. Unfortunately due to the death of former member James Stinson in 2002 and Gerald Donald's decision to concentrate on his other pseudonyms Drexciya are defunct. Nonetheless Drexciya's legacy continues on and people still avidly search out their music meaning prices are high for the majority of their releases.

Their first release Deep Sea Dweller appeared on Detroit label Shockwave Records in 1992 and immediately the concept of a personal mythology behind their music began to take shape. The story was that "Drexciya" were a race of underwater dwellers descended from pregnant slave women thrown overboard during trans-Atlantic deportation and the track titles and E.P's names all followed this aquatic based theme. James and Gerald perpetuated this belief by not stepping out into the media for the majority of the groups existence giving Drexciya maximum appeal to the already cult like followers of their main label Underground Resistance. More about UR in a later entry as they have much more to offer with releases from Suburban Knight, Galaxy To Galaxy and DJ Rolando.

The release i want you to hear today is Drexciya's debut on UR - Drexciya 2 - Bubble Metropolis. Released in 1993 this is probably my favourite of their releases containing a varied selection of electro at different tempos. I've plumped for the A1 track which is a mid paced melancholic journey through the ocean depths. I picked it up for a pound a few years back from a collection i have been buying from an guy who worked in a local record shop but it has been out of print for many years and now you'll struggle to get a good condition copy for less than about £25.00. This is the same with the limited edition coloured represses that were released after James Stinson's death which immediately sold out.

Drexciya - Aqua Worm Hole

St. Cal - Losing Ground

Marcus Kaye's (aka Marcus Intalex) Soul:r record label has since its inception in 2001 been unleashing classic after classic onto the world of drum and bass. Following on from his classic releases as Da Intalex in the mid 90's with Soul:r and its sister label Revolve:r he in my eyes captured the soul of those early years and updated it to the 170bpm of the current drum and bass scene.

Drum and bass was my first love and it was a sad day that in the late 90's i stopped buying it as i couldn't find anything i really liked anymore. Its was either jump up rubbish or dark 2 step styles which did nothing for me. I thank it now as it allowed me to concentrate on other styles of music and broaden my horizons but at the time i was pissed off. But around 2004 after being played some of the new drum and bass records my friend was currently buying i started to get back into the scene. Labels like Bassbin and Exit Recordings were sidestepping all the cheese and faux darkness and releasing classic beats with soulful music. Id bought a couple of the early Soul:r releases at the time when i saw them cheap on my travels but hadn't been buying new releases. When i started back up it was a joy to go into a record shop and snap up such releases as Marcus Intalex - Zumbar / Temperance, Calibre - Hypnotise / The Water Carrier and D.Bridge - Without Answers / Love's Ugly Child. It made me feel like it was 1995 again and id got my pocket money and was headed to Primal Vinyl in Canterbury (upstairs of Third Eye) to buy the newest Metalheadz release. I was buying regularly from shops and the Internet and each week there was something new that demanded that it be in my collection. It also got me back into mixing after a few years of being slack and i knocked about a good dozen mixes of all my new records as soon as i had enough for a new set.

St. Cal is the collaboration between Lee Davenport (ST Files) and Dominick Martin (Calibre) and has to date produced 2 12" singles and double 12" pack and 2 appearances on Calibres Signature Records label via an E.P and an LP. The track i want you to hear - Losing Ground was the second of the 12" singles and is a classic double A side. The B side Henshaw Dub is a nice dubby roller of a tune but the A side is my pick.

The beats starts softly in the mix before the main riff makes an early appearance and the male vocal begins its mantra throughout the track. The bassline mirrors the main riff before everything drops out leaving just the riff and vocals before the groove starts again. Its a real 4 am kind of tune very deep and the epitome of what is termed liquid drum and bass.

St. Cal - Losing Ground

Mad Professor & Pato Banton - My Opinion

One of the classic reggae LP's of the 80's was not produced in its spiritual home of Jamaica but crafted by one of the UK's most prolific dub producers - Neil Frazer aka Mad Professor in the suburb of Peckham in London. Featuring the almighty vocal talents of a young Pato Banton well before he released dross like Baby Come Back with UB40 this 6 track mini LP was released in 1985 on the Ariwa imprint.

There really isn't a duff track and Pato's fast and slow lyrical style coupled with social insights into life in the mid 80's and his vocals often changing between a Jamaican style and a distinctive London accent was a revelation to me when i first discovered this LP in the late 90's in the collection of one of my friends. The Mad Professor tweaks out the second half of most songs with breathtaking electronic trickery but takes nothing away from Pato's delivery.

It took me over 8 years to track down a copy in really nice condition but i believe the album has been repressed recently so isn't that hard to find now. Get hunting!

Mad Professor & Pato Banton - My Opinion

Vile Charity Shop Harridans - Pt 4 (A New Hope)

The tide is turning.

Ive had 2 positive encounters in the last week with charity shop workers that has changed my views and made me realize human nature isn't completely fucked in this day and age.

The first was with the man running the YMCA shop in Ramsgate High Street. I popped in there briefly after work a few Fridays ago and picked up some random reggae 12"s that were lying in between some random charity shop fodder. Not in the best condition but still nice to find given the records that were sandwiching them for 50p each.

Dennis Malcolm - So Many Ways
Foxy Brown - Fast Car
Lord Creator / Me-You And The Crew - Creation Medley / Creating Dub
Ray Mondo & Samantha Rose - Book Of Rules / Easy Loving
Pat Kelly / Dean Frazer - Whiter Shade Of Pale / Youth Sax

As i was leaving the shop i asked the man if he had any other records to look through. Immediately he said he had loads out the back and i could come back anytime and ask for him and he'd let me have a look through them. I went back the next day and sure enough he let me out the back and i spent about 30 mins looking through what he had. It wasn't very good but i spent another £6.00. As i was leaving again he said that he had a couple of storage containers full of 1000's of records and i should pop back in the new year and he'd bring some more in for me. Result!

The second encounter was the week after the first as i did my monthly circuit of my areas charity shops. It was a very good day for digging (possibly my best ever) as every shop i went into had a couple of bargains waiting for me.

In the Sense shop at the top of Margate High street these greeted me all in stunning condition for 3 for a £1.00:

Gary Numan – Berserker
Bushido - Among The Ruins
Maxtrack Orchestra - Another Day
Brandy - What About Us
Paula Abdul - Forever Your Girl
Newtrament - London Bridge Is Falling Down
Colm III - Take Me High
The Gap Band - Beep A Freak

A bit further down the road i pulled a couple of sealed Motown LP's out of another shop but the real gem i only noticed as i was leaving. A boxful of classical LP's yielded one of the best finds of my year. Now i've had a few of these in the past cheap (a white label copy for 10p and label copy for 50p) but never locally and i definitely wasn't expecting it from the box it was in as it was the only record of its style in the shop. D-Livin - Why is the name of the tune and it seems to have gone up in price since i sold my last copy for £25.00 a year or so back. Ive chucked this one up for £50.00 for starters and its still cheapest copy around!!

So onto Cliftonville and into a shop id only noticed the previous time id gone by. The 2 middle aged women manning the till were very friendly and after i looked through the same pile id gone through the time before and cracked a few jokes i noticed about 5 boxes of records next to the counter which i asked if i have a look at. No problem said the women as they got their coats on to go for a sly fag outside. 4 of the boxes were filled with the same old tat as you see time and time again but the last box had some assorted 12"s in pretty good nick so i pulled out all the ones that looked interesting. From the track titles and artwork i gathered that 3 of them were reggae records (2 of which were on coloured vinyl) so they went straight into the yes pile along with a few more random things. The women came back and we chatted a bit about vinyl and i obviously asked if they had any more out the back. Not out the back they said but 1000's more in storage. I bit the bullet and offered my services to sort the records out for them as they needed records cleared out of the shop that wouldn't sell. Well that's pretty easy for me as i pretty much know if the record is run of the mill pap and 90% of the stuff i looked through would fit into that category. They seemed more than happy for me to do this so numbers were exchanged and hopefully in the new year i can go back and look through the rest of what they have. Result!

Back to the reggae 12"s. When i got home and investigated them it seems that the Creation Rebel one is a seriously rare roots reggae tune from 1979 which routinely goes for £50.00 + on eBay.

Creation Rebel - Beware / Natty Conscience Free
Dennis Pinnock - The Feeling / Saturday Night Feeling
Freddy Clarke / The Internationals - My Star Attraction / Crucial Dub

Vile Charity Shop Harridans - Pt 3 (Justice Is Served)

A breaking news update which greatly brightened my day and to a lesser extent made my Christmas.

Walking along the mean streets of Cliftonville this morning i passed the charity shop where i was barred from entering last month by the most foulest of crones. My eyes lit up as i saw the shop completely cleared out of all its stock and lying empty.

Now i can only dream of this Beelzebub being visited by the police or taxman and being carted away screaming to face some hard time for crimes against common decency. I still can hear her clearly saying that she "i make enough money for charity already". Obviously not enough. Beeeeatch!!

Insomnia - Nostalgic

The infamous stamped white label.

Back in the late 80's and early 90's bedroom producers churned records out by the 1000's. The arrival of cheap samplers, cheap home computers (Amiga and Atari ST to name two) and the burgeoning rave scene and the enthusiasm that went with it helped catapult countless non-musicians music into the psyche of raving hordes. I say non-musicians as on a parallel to the earlier punk movement which predated the rave moment by roughly 10 years you didn't need to be able to read or play the music to enjoy success. All that was needed was a good ear, a creative mind, a little bit of money to get your record pressed and the ear of a few DJ's to get your tunes played out.

I stumbled on the above white label probably back in 1996 or 1997 when i was first starting to really travel to London to dig in the dusty basements of the famous Music & Video Exchanges spread through the capital. I remember clearly pulling this record out of the Notting Hill basement for either 50p or £1.00 just because it looked old and could be an old breakbeat record. When i got home i got evil looks from my friends as they immediately recognised the tune from their old 1992 rave tapes. Ive since only ever found 1 other copy cheap for about £5.00 with a full release label which i think i swapped at the time for another rare record i was after.


















So to Insomnia. Who were they? From the label and the 2 other records (although the Nocturnal Grooves E.P. could potentially be another Insomnia) they released back in 1991-2 we can ascertain their names were C. Rossi and J. Holloway and that their engineer was John Gould. We can also locate them to central London by the 071 telephone code. Now if i had more time it would be worth trying to track them down to see if they had a spare box of this record lying around as it currently goes for £50.00 + in mint condition. But alas like many other producers of this era they are lost to the sands of time leaving only their music as a legacy.

Have a listen to the record below. It ticks off virtually every element required for a classic breakbeat tune. Piano. Check. Huge bassline (you may not get this from the YouTube link but believe me the bass on this record is insane). Check. Strings. Check. Tough breakbeats. Check. Female vocals. Check. Ragga vocals. Check.

Now everyone time to raise your hands in the air and blow that whistle!

Insomnia - Nostalgic


PS The A-side is pretty good as well.